SERIES 30.05 - SASTRAJENDRA - PUPUH 5 MIJIL

 

	KETERANGAN | DESCRIPTION
1	Penjelasan BATARA ENDRA terhadap ajaran BATARA GURU | BATARA ENDRA's explanation of BATARA GURU's teachings
2	Perbedaan pendapat Hyang Guru dan Hyang Nurada | Hyang Guru and Hyang Nurada's differences of opinion
3	Didalam pupuh ini terjadi diskusi perbedaan pendapat dari para Dewata mengenai asal-mula seluruh alam. Perbedaan ini sebaiknya dipahami dengan berhati-hati dan dirasakan dengan baik agar dapat mengerti makna dari ‘RESTU (PANGESTU)’ yang sebenarnya
	In this pupuh there is a discussion of differences of opinion from the Deities regarding the origin of all nature. This difference should be understood carefully and should use a true-senses in order to understand the true meaning of 'RESTU (PANGESTU)' (BLESSING)

	Pupuh 5 – Mijil / 38 verses
	Javanese	Indonesian	English
1	Sang Hyang Éndra wau duk miyarsi/ kalangkung cumêmplong/ kaananing martabat dunungé/ wignya têrang ing sawiji – wiji/ sandining Hyang Widhi/ myang sandining kawruh//	Sang Hyang Endra dari tadi mendengarkan/ sudah lega hatinya/ penyelesaiannya ber martabat/ dimengerti dan jelas satu-persatu/ pertanda dari Hyang Widhi/ pertanda dari ilmu pengetahuan//	Sang Hyang Endra has been listening/ and he is relieved/ the solution is dignified/ understood and clear, one by one/ it is a sign from Hyang Widhi/ the sign for knowledge of science//
2	lagya éca wawan sabda kalih/ kasaru kang rawoh/ Hyang Pramèsthi[1] alon andikané/ hèh yogèngsun paran kang pinanggih/ gonmu gunêm kawis/ putra kalih dhêku//	Sedang enak menikmati pembahasan yang kedua/ terhambat dengan kehadirannya/ Hyang Pramesthi[2] yang berbicara perlahan/ -hèh- semua yang berkumpul/ tempatmu berbicara sudah jelas/ kedua putrapun menunduk//	Enjoying the second discussion/ hampered by the presence of/ Hyang Pramesth[3]i, who spoke slowly/ -hèh- everyone who’s gathered here/ the position of what you talked about was clear/ both sons lowered their heads//
3	Sang Hyang Wisnu tumungkul èsmu jrih/ Hyang Éndra turnyalon/ -dhuh- pukulun putranta yêktiné/ yayi Wisnu pinunjul ing bumi/ bawana tan kalih/ mung Bathara Wisnu//	Sang Hyang Wisnu agak takut/ Hyang Endra menyanjung/ -dhuh- paduka putramu yang sebenarnya/ adik Wishnu, sangat menonjol di bumi/ dijagat yang tak ada duanya/ hanya Bathara Wishnu//	Sang Hyang Vishnu is a little scared/ Hyang Endra flatters/ -duh- your honor, your real son/ brother Vishnu's, is very prominent on earth/ in a universe that is second to none/ only Bathara Vishnu//
4	pan sadaya sandining kang ngèlmi/ sadaya pan mêlok/ cipta sasmita kawêngku kabèh/ étrap – patrap mêmpaning pangèsthi/ wus tan madal sumbi/ ing kayêktènipun//	Memang semua rahasia dari yang telah belajar/ semua akan ikut/ tanda-tanda penciptaan telah dikuasai semuanya/ sikap dan tatacara telah waskita dan direstui/ sudah tidak melenceng/ dalam kenyataannya//	Indeed, all the secrets of those who have learned/ all will follow/ all signs of creation which have been mastered/ attitudes and procedures have been mastered and granted/ nothing has deviated/ in factual//
5	wontên malih pamanggih linuwih/ kawula pan kasor/ botên nyimpang ing sangkan parané/ kabèh kawruh mawi tandha sêksi/ pra jawata sami/ sor lan yayi Wisnu/	Adapun mengenai pengetahuan yg lebih/ sayapun kalah/ tidak menyimpang dari asal muasalnya/ semua pengetahuan sudah diberi tanda oleh saksi/ para dewapun sama/ dibawah adik Wishnu//	As for knowledge above our knowledge/ I am in lost/ nothing is differ from the origin/ all knowledge has been marked by the witness/ and by the deity as well/ all under brother, Vishnu's//
6	putra tuwan tuk nugraha jati/ kawruhé kinaot/ mèngsêm nabda Hyang Guru angawé/ mring Hyang Wisnu sowan manganjali/ hèh Wisnu sirèki/ wus pinasthi lamun//	Putra tuan mendapatkan karunia sejati/ pengetahuan yang tua sekali/ senyum Hyang Guru mengundang/ Hyang Wishnu mendahului untuk menghadap/ -hèh- Wishnu yang kusayangi/ sudah garisnya, namun//	Your son has a true gift/ a knowledge that is very old/ Hyang Guru smiles is inviting/ Hyang Vishnu precedes to the front/ -hèh- Vishnu whom I love/ it is already as it should be, but//
7	pan rumêksayu isining bumi/ sagung para katong/ kang mbêk murka sirna déning kowé/ nadyan para jawata ing bénjing/ sira kang nulungi/ yèn nêmu pakéwuh//	Sudah kewajibanmu untuk menjaga bumi/ para raja seluruhnya/ yang sedang murka akan sirna karenamu/ meskipun kemudian para dewata/ kamu yang akan menolong/ kalau bertemu pun akan sungkan//	It's your duty to protect the earth/ all the kings/ those who are angry will disappear because of you/ even then the deity/ you who will help/ if they meet you, they will be hesitant//
8	lan samêngko sumurupa sami/ karo putraning ngong/ ananira ana ingsun kiyé/ mula sira sisiliha nami/ ingkang nunggal kapti/ lan sêbutanipun//	Nanti semuanya akan mengerti juga/ dengan putraku/ ada dia dan ada saya seperti ini/ maka bergantianlah meminjam nama-nama/ yang menyatu dalam cita-cita/ demikian juga sebutannya//	Later everyone will understand too/ with my son/ there is him and there is me like now/ so, take turns on borrowing names/ which are actually united in the ideals/ that's how we will be called//
9	ingsun asma Sang Hyang Sidha Jati[4]/ marga jênêng ingong/ kang ingaran kaanan jatiné/ déné sira sisiliha nami/ Hyang Supadya Jati[5]/ wit sira wus mêngku//	Saya akan bernama -Sang Hyang Sidha Jati[6]-/ karena nama saya/ yang membuat adanya sifat sejati/ sedang kamu berganti nama menjadi/ Hyang Supadya Jati[7]/ sejak kamu sudah memahami//	My name will be -Sang Hyang Sidha Jati[8]-/ because of my name/ which makes character for the truthful nature/ while you change your name to/ Hyang Supadya Jati[9]/ since you already understand//
10	mring jatining pangupaya yêkti/ si Wisnu naking ngong/ jêjuluka Narayana mangké/ marga sira wus lêpas ing budi/ tan samar sarèhing/ putra kalih nuwun//	Kepada sejatinya yang berupaya dengan benar/ Wishnu anaknya saya/ nantinya akan diberi nama Narayana/ karena telah lepas dari ajaran budi/ tidak samar kesabarannya/ demikian putra kedua berterima kasih//	To those who are trying properly/ Vishnu my son/ later will be named Narayana/ because he has been separated from the teachings of ethics/ his patience is not vague/ so the second son is grateful//
11	wusnya dhawuh wau Hyang Pramèsthi[10]/ gya mukswa tan katon/ pra jawata gya bubaran kabèh/ Sang Hyang Éndra wus manjing jro puri/ ing kaèndran adi/ Hyang Wisnu wus kondur//	Setelah perkataan tadi Hyang Pramesthi[11]/ segera hilang tak terlihat/ para dewatapun pulang semuanya/ Sang Hyang Endra kembali kedalam istananya/ di dalam areanya/ Hyang Wishnu pun sudah kembali pulang//	After these words, Hyang Pramesthi[12]/ immediately disappeared out of sight/ all the deities returned/ Sang Hyang Endra returned to his palace/ in his area/ Hyang Vishnu also has returned home//
12	angêdhaton anèng têpêt suci/ alam kang kinaot/ nikmat baé iku salawasé/ sing sapa wruh sandining Hyang Widhi/ sayêkti yèn bangkit/ manggon alam luhung//	Bertempat tinggal di tempat suci/ alam yang sangat tua/ hanya kenikmatan yang ada selamanya/ siapa yang mengetahui sandi (pertandanya) Hyang Widhi/ sesungguhnya bila akan bangkit/ menempati alam luhur//	Living in a holy place/ a very old world/ only enjoyment that lasts forever/ he who knows the password (sign) of Hyang Widhi/ actually when he will rise/ and occupy the sublime realm//
13	sastra jéndra hayuningrat iki/ atêgês kinaot/ sastra iku têmbung lan swarané/ jén puniku atêgês sawiji/ dra: bawana yêkti/ sumêbar déné yu//	Sastrajendra hayuningrat ini/ tegasnya adalah ilmu yang sangat tua/ sastra itu adalah suara dan kata-kata/ kalau hal itu telah tegas semuanya satu persatu/ maka: buana yang sebenarnya/ yang telah menyebar itu//	This Sastrajendra hayuningrat/ strictly speaking is a very old science (knowledge)/ literature is sound and words/ if it is all confirmed by all of them one by one/ then: the real world/ that has spread//
14	kaslamêtan rat têgêsirèki/ jagad kang kinaot/ iku glagating kaanan kabèh/ kawitaning kang sahadad-jati[13]/ sanyata sayêkti/ langgêng uripipun//	Keselamatan dunia tegasnya/ alam semesta yang sangat tua/ yang gerak-geriknya seperti berada di hutan belantara semuanya/ kalimat ini tidak di terjemahkan (diragukan keaslian kalimat ini – baca catatan kaki no. 1)/ sebenarnya kenyataannya/ abadi hidupnya//	Strictly, for the sake of the safety of the world/ this universe is very old/ whose movements are like being in the wilderness/ this sentence is not translated (the authenticity of this sentence is doubtful – read footnote no. 1) / in fact the reality/ it is the eternal in life//
15	têmbung sa-dad[14]- têgêsé kang yêkti/ nuduhkên mrih wêroh/ urip kudu méruhi mring daté/ dad wuntêlak lan dad maha suci/ kaping tri kang suci/ dad kang maha luhur//	Kata -dad[15]- tegasnya dan senyatanya/ menunjukkan untuk mengetahui/ hidup itu harus memahami/ cahaya yang Maha Kuasa dan cahaya yang Maha Suci/ yang ketiga dari cahaya yang suci adalah/ cahaya yang Maha Luhur//	The word -dad[16]- strictly and in fact/ indicates to be able to know/ life should be understood/ the Almighty light and the Most Holy Light/ the third of the sacred Light is/ the Most Sublime//
16	duk nalika Hyang Éndra nampani/ sasmita kang kaot/ saking Sang Hyang Guru wêwarahé/ kabèh urip yèn wus nguningani/ wahana kang yêkti/ sayêkti rahayu//	Waktu dulu Hyang Endra menerima/ gambaran yang nyata/ dari wejangan Hyang Guru/ semua kehidupan kalau sudah berbunyi/ dalam sarana yang sebenarnya/ maka akan selamat sejahtera//	In the past, when Hyang Endra received/ the real picture/ from Hyang Guru's explanation/ all life when it already sounds/ in the true way/ then it will be safe and prosperous//
17	ayuningrat slamêt uripnèki/ sabarang kinaot/ sastra cêtha wus kacakup kabèh/ sastra cêtha wus tan mindho kardi/ paham marang gaib/ mardikèngrat luhung//	Sangat indah dan selamat hidupnya/ segala nya yang telah tua/ -Sastra Cetha- sudah tercakup seluruhnya/ -Sastra Cetha- sudah tidak perlu diulang lagi/ memahami hal-hal yang gaib/ merdeka didunia dan luhur//	Very beautiful and safe is in his life/ everything inside this old/ -Sastra Cetha literature- has been completely covered/ -Sastra Cetha literature- no longer needs to be repeated/ to understands things that are unseen/ for freedom in the world and being sublime//
18	kang mangkana musthikaning janmi/ sarjana kinaot/ wus tan samar marang lêlakoné/ wruh ing osik pangandika yêkti/ nèng rahsa sajati/ têtêpé Hyang Agung//	Yang seperti itulah mustikanya manusia/ telah tamat dan mumpuni sejatinya/ sudah tidak samar kehidupannya/ memahami dan mengucapkan yang benar/ dari rasa sejatinya/ kepada ketetapan Hyang Agung//	That's what human must have/ it is completed and are truly highly capable/ life is not vague anymore/ understand and speak the truth only/ from their true senses/ as per the decree of Hyang Agung//
19	mula para naréndra sru mingit/ tan kêna kêbrojol/ mung pandhita kang gêntur tapané/ iku lamun antuk sihing Widhi/ nugraha sajati/ iku pasthi mêngku//	Makanya para raja sering menyendiri/ tidak boleh keluar/ hanya pendeta yang kuat meditasinya/ akan mendapat kasihnya Hyang Widhi/ karunia yang sesungguhnya/ pasti akan diperoleh//	That's why the kings are often alone/ cannot go out/ only priests who are strong in meditation/ will get Hyang Widhi's love/ a true gifts/ will definitely be obtained//
20	lamun datan kanugrahan jati/ tinarimèng Manon/ pan kasiku tuk walak uripé/ mèt kawruhé jawata linuwih/ kang tan madal sumbi/ kanyataanipun//	Walaupun tidak dianugerahkan secara nyata/ tetap diterima dan diketahui/ memang terkena dan akan mendapatkan pesan dalam hidupnya/ untuk mencari pengetahuan para dewa yang sakti/ yang tidak ada didalam aturan/ kenyataannya//	Even though it is not given in a real way (solid)/ still accepted and make known/ indeed it is going to be affected and will received a message in his life/ to seek knowledge of the deities who are sacred/ which is not in any rules/ in reality//
21	kèh godhané ing saari – ari/ rêncana kang katon/ karya jugar sabarang panggangwé/ pama wiji sinêbar nèng wukir/ lêmah padhas garing/ paran goné thukul//	Akan banyak godaan sehari-harinya/ rencana yang terlihat/ hasil kerja yang tak terlaksana/ ibarat bibir yang disebar di bukit/ tanah cadas, gersang kering/ dimana tempatnya tumbuh//	Daily, there will be many temptations/ plans which are materialized/ the results of work that are not carried out/ like lips spread on a hill/ rocky, dry and arid/ is where the place to grow//
22	yêkti mati sirna tanpa dadi/ iku isbating wong/ kabèh janma kang dudu bênêré/ anampani sihing maha suci/ dèn dumukna kongsi/ jêglug bathukipun//	Semua yang telah mati akan hilang tak terjadi/ itu ibaratnya kemanusiaan/ semua manusia harus memperbaiki hidupnya/ dan akan menerima kasihnya Hyang Maha Suci/ dan akan ditunjukkan tempat berkumpulnya/ yaitu yang terkandung di jidatnya//	Everything that has died will disappear, nothing happens/ that is like humanity/ all humans must improve their lives/ and those who will receive the love of the Most Holy/ and will be shown the place of gathering/ and that is contained in his forehead//
23	mangsa dadak wêruha ing gaib/ rasané tan kraos/ mula babar wêjangan aglahèng/ nganggêp rèmèh tuduhé sang rêsi/ dilalah wus takdir[17]/ wong cilaka muput/	Secara tiba-tiba akan mengetahui gaib/ rasanya tidak terasa/ untuk menjelaskan ajaran yang tua/ menganggap remeh petunjuk sang resi/ padahal sudah menjadi garis hidupnya/ akan menjadi orang yang celaka//	Suddenly they will know the supernatural/ it feels natural/ to explain the old teachings/ and underestimating the instructions of the sage/ even though it has become his life line/ he will become a miserable person//
24	duk Hyang Guru bantah lan Sang Rêsi/ Nurada[18] kang kaot/ buka kawruh gaib kang linuwéh/ Hyang Pramèsthi[19] sor titih kang ngèlmi/ anulya nimbali/ sagung para sunu//	Lalu Hyang Guru membantah Sang Resi/ Nurada[20] yang sangat tua/ membuka pemahaman gaib yang hebat/ ilmu yang dimiliki Hyang Pramesthi[21] berada sedikit dibawahnya/ kemudian memanggil/ semua anaknya//	Then Hyang Guru denied The Resi/ Nurada[22] who was very old/ and opened a great supernatural understanding/ Hyang Pramesthi's[23] knowledge was slightly below him/ then he called/ all of his children//
25	myang pra déwa nayaka tan kari/ sadaya wus caos/ Hyang Pramèsthi[24] dhawuh nocokaké/ kabèh kawruh ywa kongsi pradondi/ sangkan parannèki/ cocogna kang rujuk//	Kepada para dewa dan abdi tak ketinggalan/ pernyataan Hyang Pramesthi[25] menjelaskan/ semua pengetahuan jangan dipertentangkan/ asal muasal dan tujuannya/ cocokkan dengan baik//	To all the deities and servants not to be left behind/ Hyang Pramesthi'[26]s statement explains/ all knowledge should not be contradicted/ its origin and purpose/ to be match well//
26	kang ingaran ngèlmu kang sajati/ ywa nganti tan jumboh/ lah rungokna iki kayaktèné/ ingkang tuwa cahya banjur gêni/ bantala lan angin/ samodra kang kantun//	Yang perlu diingat dalam belajar ilmu sejati/ jangan sampai tidak sesuai/ dengarkanlah kenyataannya/ cahaya yang tuwa dan api/ tanah dan angin/ samudra yang terakhir//	Things to be remember in learning a true knowledge/ don't get it wrong/ listen to the truth/ the old light and fire/ earth and wind/ and at last ocean//
27	aturira Hyang Kanéka Siwi[27]/ punika tan cocog/ yèn makatên sayêkti badhéné/ mangran dhatêng kaanan kang kèksi/ cilaka yèn manjing/ mring téja kêkuwung //	Ucapan Hyang Kaneka Siwi[28]/ itu tidak cocok/ dan bila seperti itu keinginannya/ pangeran yang datang akan bersifat seperti didalam hutan-belantara/ celaka bila masuk/ pada sinar yang membias//	Hyang Kaneka Siwi[29]'s words/ it doesn't match/ and if that's what he wants/ the prince who comes will be like in the wilderness/ distress if he enters/ in the deflecting light//
28	tatkalané awang – uwung misih/ ing panawanging ngong/ sampun wontên suwara yêktiné/ kadi gêntha kêkêlèng kapyarsi/ kagyat Hyang Pramèsthi[30]/ mundhut jablasipun//	Tatkala masih di awang-uwung/ dalam pandangan saya/ sudah ada suara sebenarnya/ seperti genta bertalu-talu, menyebar/ terkejut Hyang Pramesthi[31]/ mengambil semuanya//	While still in the clouds/ in my view/ there was already a real sound/ like a pounding bell, spread out/ surprised Hyang Pramesthi[32]/ and took everything//
29	Hyang Nurada[33] mêdharkên kang ngèlmi/ pukulun sang kaot/ pan sagunging kaanan yêktiné/ ngèsthi dhatêng kasantosan nênggih/ déné sêksi mursit/ manungsa pukulun//	Hyang Nurada[34] menguraikan ilmunya/ Paduka yang sangat tua/ dan semua hutan-belantara keadaan yang sebenarnya/ datang dengan ke santosaannya/ itulah saksi yang suci/ manusia, Paduka//	Hyang Nurada[35] describes his knowledge/ Your majesty, who is very old/ from all the wilderness of the real situation/ comes with his serenity/ that is the holy witness/ human being, Your majesty//
30	wit jagadé manungsa puniki/ yêkti datan kaot/ lawan jagad kang dèn ambah kiyé/ mila tuduhipun guru mami/ cahya dèrèng lair/ swara wus kêprungu//	Sejak dunianya manusia ini/ yang sebenarnya belum tua/ dibandingkan dengan dunia yang kau injak ini/ maka itulah menurut petunjuk guru saya/ saat cahaya belum lahir/ suara sudah terdengar//	Since this human world/ which is actually not very old/ compared to this world you stepped on/ so that's according to my teacher's instructions/ when light is not born, yet/ sound has been heard//
31	yèku gêntha kêkêlèng wus muni/ makatên kang yêktos/ swara iku nyawa sajatiné/ gêntha iku kontha kang sêjati/ kontha samar wingit/ élok jatinipun//	Itulah lonceng yang bertalu-talu sudah berbunyi/ begitulah yang sebenarnya/ suara itu sejatinya adalah nyawa/ lonceng itu sejatinya adalah tombak/ tombak yang samar dan keramat/ indah sesungguhnya//	That's the bell that has been ringing over and over/ that's the truth/ that voice is actually ‘life itself’/ that bell is actually a spear/ a spear that is faint and sacred/ really beautiful//
32	éloklok iku sajatining gaib/ gaibing Hyang Manon/ yèku nganggo sasandha dadiné/ nyatanira tan rupa tan warni/ yèn ngandika nênggih/ tanpa lésan muhung//	Keindahannya itu sesungguhnya keramat/ keramatnya Hyang Manon/ yaitu yang menjadi sandaran/ kenyataannya tanpa rupa dan tanpa warna/ bila bicara diam/ tanpa ucapan, namun//	The beauty is actually sacred/ sacred to Hyang Manon/ that is to be relied on/ in fact without form and without color/ when speaking quietly/ without a word, but//
33	bawa aganda tan grana yêkti/ muhung munya kaot/ pirsa tanpa nétra sajatiné/ muhung waskitha yèn mirêng nênggih/ tanpa karna yêkti/ muhu wisésagung//	Membawa keharuman nan wangi yang tak tercium oleh hidung yang nyata/ hanya suaranya berbeda/ melihat tanpa mata yang nyata/ hanya waskita dan bila mendengar, diam saja/ tanpa pendengaran yang nyata/ hanya kemampuan yang agung//	It brings a sweet fragrance that no real nose can smell/ only the sound is different/ it can be seen without real eyes/ it is mystical and when he hears, it is silent/ without real hearing/ only a glorious gift//
34	yèn angraos tanpa rahsa yêkti/ pan muhung pangraos/ kosok wangsul punika yêktiné/ purwanira ana iku saking/ ora têgêsnèki/ witing lair iku//	Bila merasakan tanpa rasa yang sesungguhnya/ dan hanya melalui perasaaan/ semua kembali kepada diri sendiri sebenarnya/ awalnya itu ada karena/ tidak tegas/ dari kelahirannya//	If you feel without true senses/ and only through feelings/ everything returns to your true self/ the beginning was there because/ indecisive/ from birth//
35	saking batin witing ramé saking/ ênêng kang sayêktos/ witing gumlar sing suwung yêktiné/ nanging sampun ngantos salah dalih/ babasaning ngèlmi/ ngidhêp swara iku//	Dari batinlah dimulainya keramaian ini/ diam yang sesungguhnya/ mulai berkembang dari kekosongan/ namun sudah mencapai kesalahan dalih/ peribahasanya keilmuan/ dalam hal suara itu//	It is from the heart that this crowded from the beginning/ the true silence/ begins to develop from emptiness/ but has reached a false pretext/ a scientific proverb/ in terms of sound//
36	mangran marang kumandhang wosnèki/ sirik kang mangrêtos/ yèn nampika lan milih yêktiné/ lamun nampik punapa ing bénjing/ kang ginêlar sami/ uring ginulung//	Datang pada pusat suara yang berkumandang/ iri kepada yang sudah mengerti/ bila menolak dan memilih yang sebernarnya/ namun menolak semuanya lagi dikemudian hari/ yang di gelar sama/ tergulung menjadi satu//	Comes to the center of the voice that reverberates/ envious of those who already understand/ if they refuse and choose the truth/ but reject all of them again in the future/ which are the same title/ rolled into one//
37	yèn miliha punapa uring wrin/ sadaya kang katon/ kaanané sangking gaib kabèh/ sampun ngantos korup lir cah cilik/ ngurubana nuli/ cêkap atur ulun//	Bila memilih apapun dalam ketakutan/ semua yang terlihat/ semuanya seperti didalm hutan-belantara yang gaib/ jangan sampai tidak patut seperti anak kecil/ cepat ditutup/ cukuplah perkataan saya//	When choosing anything in fear/ everything in sight/ everything will be like in a magical wilderness/ don’t be inappropriate like a child/ quickly shut down/ my words are enough//
38	bab dunungé pangèsthi sajati/ iku dèn waspaos/ titi tamat Hyang Nurada[36] turé/ sukèng driya Hyang Jagad Pramèsthi/ myarsa sorahnèki/ nyêngkut datan mungkur//	Mengenai adanya saksi sejati/ itu harus diwaspadai/ teliti dan selesailah wejangan Hyang Nurada[37]/ masuk kedalam batin Hyang Jagad Pramesthi/ dari mendengarkan ajaran itu/ tersangkut disitu dan tidak dapat mundur//	Regarding the existence of a true witness/ that must be watched out for/ be careful than Hyang Nurada[38]’s address is finalized/ enter into Hyang Jagad Pramesthi’s mind/ from listening to the teaching/ it is stuck there and it can’t be back down//

[1] Hyang Pramesthi = Sang Hyang (Bathara) Guru = Hyang Jagad Nata = Hyang Giri Nata = Hyang Sidha Jati

[2] See footnote no. 1

[3] See footnote no. 1

[4] See footnote no. 1

[5] Hyang Supadya Jati = Hyang (Bathara) Wishnu (Vishnu)

[6] See footnote no. 1

[7] See footnote no. 5

[8] See footnote no. 1

[9] See footnote no. 5

[10] See footnote no. 1

[11] See footnote no. 1

[12] See footnote no. 1

[13] Sahadad- Jati or Shahada is an Arabic word= for declaring belief in the oneness (tawhid) of God and the acceptance of Muhammad as God's messenger. This is not known in Javanese believes. The original Serat Sastrajendra is not written by a Muslim cleric and had been known in Java long before any Abrahamic religions was introduced to Java. The historical timelines are not matched, too. This word must be inserted by a Muslim cleric to divert the true meaning

[14] Dad = Cahaya Murni yang awal = the Beginning of Pure Light

[15] See foot note no. 14

[16] See foot note no. 14

[17] Takdir (this word is not Javanese; this is Arabic words of Taqdeer = Taqdir) = it refers to God’s decree of the destiny of all things before they were created. In Javanese = widi, widhiwasa, daiwa, pamastu (wastu). The original Serat Sastrajendra is not written by a Muslim cleric and had been known in Java long before any Abrahamic religions was introduced to Java. The historical timelines are not matched, too. This word must be inserted by a Muslim cleric to divert the true meaning

[18] Hyang Nurada = Hyang Kaneka Sunu = Hyang Kaneka Siwi

[19] See footnote no. 1

[20] See footnote no. 18

[21] See footnote no. 1

[22] See footnote no. 18

[23] See footnote no. 1

[24] See footnote no. 1

[25] See footnote no. 1

[26] See footnote no. 1

[27] See footnote no. 18

[28] See footnote no. 18

[29] See footnote no. 18

[30] See footnote no. 1

[31] See footnote no. 1

[32] See footnote no. 1

[33] See footnote no. 18

[34] See footnote no. 18

[35] See footnote no. 18

[36] See footnote no. 27

[37] See footnote no. 27

[38] See footnote no. 27